G R A P H I C - A R T. | florentlubienicki

HUMAN ( drawings )

Sociological visual of the creation of a floating and impalpable mesh between human beings. Our communication network is expanding more and more, and today creates a floating cloud of random and infinite contacts and connections. This study proposes a global visual idea of the infinity of relationships and connections between humans. The process of creation is based solely on the random and harmonious side of building communities, societies, civilizations. The overall two-dimensional form is subject to change over time. This visual research subsequently led to a three-dimensional design of the same subject. ( Human sculpture )

S U M M A R Y

8 - GOLD & LIGHT

HUMAN-I

H U M A N - I - Black painting pen - white paper 240gm - 50 x 56 cm - FRANCE - October 2015

HUMAN

HUMAN-II

H U M A N - I I - White painting pen - black paper 240gm - 50 x 56 cm - FRANCE - February 2016

HUMAN-III

H U M A N - I I I - Gold painting pen - black paper 240gm - 50 x 56 cm - GERMANY - June 2016

NOMENCLATURE ( DRAWING CONSTRUCTION)

Born while listening to classical music, « Nomenclature » is a blueprint of lines that embody the burst of sounds. The drawing’s organization looks like a technical drawing, both fluid and orderly at the same time.

Like baroque, classical or romantic music, the artwork’s structure follows different rhythms, from adagio to crescendo, even up to presto agitato. The simple phrasings and tempestuous chords are harmoniously entangled in a lyrical whirl.

NOMENCLATURE

NOMENCLATURE-I

N O M E N C L A T U R E - I

Gold painting pen - black paper 300gm - 65 x 50 cm - FRANCE - February 2016
Artwork based on solo piano composition.

NOMENCLATURE-II

N O M E N C L A T U R E - I I

Gold painting pen - black paper 300gm - 50 x 56 cm - FRANCE - March 2016
Artwork based on classical music composition.

NOMENCLATURE-III

N O M E N C L A T U R E - I I I - Gold painting pen - black paper 300gm - 50 x 56 cm - FRANCE - April 2016
Artwork based on electronic music composition.

NOMENCLATURE-IV

N O M E N C L A T U R E - I V - Gold painting pen - black paper 350gm - 80 x 60 cm - GERMANY - February 2018
Artwork based on Opera.

EMOTIONS IN MOTION

( PAINTINGS)

"Everyone knows what an emotion is until asked to give a definition"

- B. FEHR & J.A. RUSSEL

The work realized here is the attempt of the description of the human basics emotions by drawing line by line. The used technique could be similar to the seismograph. The Artwork presented here tries to show the evolution of the feelings in a limited duration. Given the size of the work, it is possible to think that there is a logical sense of reading of the work, with the beginning and the end. The purpose of this graphic experiment is not to rationalize the feelings, but to give a new approach of definition. It is also under heard a work of introspection.

"Feelings are not supposed to be logical. Dangerous is the man who has rationalized his emotions"

David BORENSTEIN

EMOTIONS IN MOTION

EMOTIONS IN MOTION-I

E M O T I O N S I N M O T I O N - I

Ink and gold acrylic painting pen on wood-board 150x100 cm - CANADA- October 2014

EMOTIONS IN MOTION-II

E M O T I O N S I N M O T I O N - II

Ink and gold acrylic painting pen on wood-board 150x100 cm- CANADA- October 2014

EMOTIONS IN MOTION-III

E M O T I O N S I N M O T I O N - III

Ink and gold acrylic painting pen on wood-board 150 x 100 cm- CANADA- October 2014

EMOTIONS IN MOTION-IV

E M O T I O N S I N M O T I O N - IV

Ink and gold acrylic painting pen on wood-board 150x100 cm- CANADA- October 2014

EMOTIONAL ARCHITECTURE

( PAINTINGS)

The great overwhelming emotional wave. The feeling flow and its breaking.

EMOTINAL ARCHITCURE

EMOTIONAL ARCHITECTURE-I

Ink and gold acrylic painting pen on wood-board 80x60 cm - CANADA - November 2014

EMOTIONAL ARCHITECTURE-II

E M O T I O N A L A R C H I T E C T U R E - II

Gold painting on black paper 240gm - 30x40 cm - CANADA - November 2014

ORGANIC ARCHITECTURE

( PAINTING & DRAWING)

This work is a construction, inspired by architecture and nature, the result of this work comes from a research of structure, respecting the harmony and the architectural codes. This mesh brings us to a balance between geometry and nature.

ORGANIC ARCHITECURE

ORGANIC ARCHITECTURE-I

O R G A N I C A R C H I T E C T U R E - I

White painting on black paper 40x40 cm - FRANCE - August 2013

ORGANIC ARCHITECTURE-II

O R G A N I C A R C H I T E C T U R E - II

Gold painting on white paper 40x40 cm - FRANCE - August 2013

TIME & SPACE

(DRAWING)

Philosophy of space and time is the branch of philosophy concerned with the issues surrounding the ontology, epistemology, and character of space and time. While such ideas have been central to philosophy from its inception, the philosophy of space and time was both an inspiration for and a central aspect of early analytic philosophy. The subject focuses on a number of basic issues, including whether time and space exist independently of the mind, whether they exist independently of one another, what accounts for time's apparently unidirectional flow, whether times other than the present moment exist, and questions about the nature of identity (particularly the nature of identity over time).

TIME & SPACE-I

Gold painting on black paper 56x40 cm - CANADA - December 2014
This work synthesizes a year of experiences and adventures between 2013 and 2014. Beyond images, beyond words, here is the temporal "ellipse" between the two cities of Limoges in France and Manhattan in the USA.

TIME & SPACE

TIME & SPACE-II

Gold painting on black paper 56x40 cm - CANADA - December 2014
This piece synthesizes a year of experiences and adventures between 2014 and 2015. Time is a constant but what we experience emotionally in this time frame is unstable and hectic.

TIME & SPACE-III

ELEMENTS

(PAINTING & DRAWING)

ELEMENTS

BEJISA

Gold painting on black canvas 100x100 cm - FRANCE - January 2014
This painting of BEJISA cyclone is inspired by the website "earth.nullschool.net" which shows the activity of the winds on Earth. This piece illustrates the day the cyclone Bejisa flew over the island of Reunion in January 2cd 2014. The artwork was made on the same day of the disaster.

PLANET

Gold painting on black paper 56x50 cm - FRANCE - August 2014
It is not known with certainty how planets are formed. The prevailing theory is that they are formed during the collapse of a nebula into a thin disk of gas and dust. A protostar forms at the core, surrounded by a rotating protoplanetary disk. Through accretion (a process of sticky collision) dust particles in the disk steadily accumulate mass to form ever-larger bodies. Local concentrations of mass known as planetesimals form, and these accelerate the accretion process by drawing in additional material by their gravitational attraction. These concentrations become ever denser until they collapse inward under gravity to form protoplanets. After a planet reaches a mass somewhat larger than Mars' mass, it begins to accumulate an extended atmosphere, greatly increasing the capture rate of the planetesimals by means of atmospheric drag. Depending on the accretion history of solids and gas, a giant planet, an ice giant, or a terrestrial planet may result.

GOLD & LIGHT

(ENGRAVING)

The pieces in this series are designed on golden mirror papers. A metal tool created specifically for these work gave birth to lights and a new reading of the works. The subjects of inspiration concerned are dimensions, astronomy, and psychology.

In search of an harmonious balance between structure, discipline, and meditation. Playing with light and repeating a gesture plunges us into another dimension. Another way to see through work, but also through us. Meditating by creating enriched and enlightenment our mental environment. It is this state of mind and these new landscapes that are clearly sought after in these compositions.

BRANE

Engraving in Gold paper (400gm) 65x50 cm - FRANCE - July 2015
This piece deals with the string theory and the various dimensions which presents the universe. The Artwork congealed in 2D tries to explore various depths. In the string theory, a vast, dynamic object, possessing an energy in the form of tension on its volume of universe is called a Brane. The word " Brane " is a phonetic modification of the word "Membrane". In a Universe with additional dimensions, as the string theory requires, the M theory of Einstein is an extension, we fall naturally on the image of two Universes in the shape of membrane to three spatial dimensions(size), thus flat geometry, floating in Multivers of probably infinite dimension(size) with 4 macroscopic spatial dimensions at least. The Big Bang would be only the result of the collision between these two Universes-membranes, which we would live in one of them. The nature of the M theory would thus involve a flat geometry for the Universe. Ekpyrotic Cosmology.
In Greek, cataclysm is called " ekpyrosis " and within the framework of the Stoic philosophy, the Universe begins with a fire which ignites, which is the name given by the authors of this theory.

GOLD&LIGHT

THREE DIMENSIONAL

Engraving in Gold paper (400gm) 65x50 cm - FRANCE - July 2015
Three-dimensional space is a geometric three-parameter model of the physical universe (without considering time) in which all known matter exists. These three dimensions can be labeled by a combination of three chosen from the terms length, width, height, depth, and breadth. This piece offers 3 different angles of view. The light spreads differently according to the lighting or the angle of view, and offers multiple reading of the artwork.

THE FLOW

Engraving in Gold paper (400gm) 65x50 cm - FRANCE - April2015
" It is Mihály Csíkszentmihályi, a Hungarian psychologist, who finalized the concept of Flow according to which being in a state of total concentration or complete absorption in an activity is the key of happiness. According to him, it is an experience which characterizes the
high-level sport. This state in which an athlete or an artist is completely committed in the activity is such a unique and intense moment when by reaching it for the first time, the Flow becomes a pure source of intrinsic motivation. In the Flow, the feelings are not just contained but also positive, stimulated and aligned with the executed task. The Flow is a feeling of spontaneous enjoyment, felt by executing a task although it is also described as a profound feeling only focus on the activity and not on the feelings. "

SHIMMER

Cut in paper 70x90cm. August 2019.
Bazar Noir: "Patience, concentration, and rigor are the three watchwords for the French-born, Berlin-based artist Florent Lubienicki.

Florent's recent artwork The Shimmer explores the expanse of the matter and draws inspirations from nature, biology, and geology. By meticulously cutting paper surface with a scalpel, Florent is exploring a way to create a natural pattern by repeating a movement without defining a direction.
Swipe to the left to take a glimpse into this meditative process.

The Shimmer is currently on display at Bazar Noir. For more details and inquiries get in touch via sayhello@bazar-noir.com"